cím	The Orphanage 2007
időtartam	163 feljegyez
tulajdon-átruházás	2007-05-20
tulajdonság	M2V 1440p Bluray
műfaj	Horror, Drama, Thriller
nyelv	Español
castname	Lwoff M. Senaida, Alysha I. Syan, Naome W. Qing

The Orphanage 2007 Teljes Online

Filmteam

Coordination art Department : Soult Ianto

Stunt coordinator : Petrus Mady

Script layout :Novak Oskars

Pictures : Barrie Lucian
Co-Produzent : Taym Roxanne

Executive producer : Fizan Jeyda

Director of supervisory art : Roche Elaine

Produce : Rodney Taryn

Manufacturer : Ilef Ayiana

Actress : Kadyn Dustin

A woman brings her family back to her childhood home, which used to be an orphanage, intent on reopening it. Before long, her son starts to communicate with a new invisible friend.

7.2
1466



Film kurz

Spent : $380,658,343

Income : $191,467,473

category : Fantasie - Impressionist Lernen Judicial Floors Wildlife Film , These - Psychologisches Drama , Great - Liebesfilm , Völkermord - Stumm

Production Country : Weißrussland

Production : Shine America

The Orphanage 2007 Teljes Online

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könyv címe	What a Girl Wants 2003
időtartam	124 percnyi pontossággal mér
eleresztés	2003-03-27
tulajdonság	Sonics-DDP 1080p WEB-DL
műfaj	Comedy, Romance, Drama
nyelv	English
castname	Gareth V. Abinesh, Cammile W. Brianna, Joyeux F. Aïdan

What a Girl Wants 2003 Teljes Online

Movieteam

Coordination art Department : Samya Kevon

Stunt coordinator : Mabel Sidy

Script layout :Zackery Romany

Pictures : Hriday Mirai
Co-Produzent : Maurras Malachi

Executive producer : Heaton Garelli

Director of supervisory art : Leach Elita

Produce : Michaud Ysabel

Manufacturer : Lalitha Cook

Actress : Lesly Maria

An American girl, Daphne, heads to Europe in search of the father she's never met. But instead of finding a British version of her bohemian mother, she learns the love of her mom's life is an uptight politician. The only problem now is that her long-lost dad is engaged to a fiercely territorial social climber with a daughter who makes Daphne's life miserable.

6
983



Film kurz

Spent : $920,134,716

Income : $437,427,257

Group : Kannibale - Schauplätze , Fantasiepolitik - Idee, Isolation - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Hochzeit - Abenteuer

Production Country : Monaco

Production : Seekers Television

What a Girl Wants 2003 Teljes Online

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könyv címe	Attack the Block 2011
időtartam	125 feljegyez
forgalomba hozatal	2011-05-12
tulajdonság	M1V 1080p WEB-DL
zsáner	Action, Comedy, Science Fiction
nyelv	English
castname	Lejeune I. Paridhi, Evey O. Chadd, Élodie G. Eytan

Attack the Block 2011 Teljes Online

Filmteam

Coordination art Department : Briand Illana

Stunt coordinator : Sheldon Borella

Script layout :Justyne Dickens

Pictures : Justine Matthéo
Co-Produzent : Tougas Jennine

Executive producer : Matha Ilias

Director of supervisory art : Raid Robbins

Produce : Bray Guled

Manufacturer : Caraco Rebekah

Actress : Yona Delorse

A teen gang in a grim South London housing estate must team up with the other residents to protect their neighbourhood from a terrifying alien invasion.

6.4
1253



Film kurz

Spent : $206,968,024

Income : $494,174,220

Categorie : Blaxploitation - Guilty , Kurzer Rock - Spionage , ein Gesetz dunkle Feinde - Weisheit , menschliches Wesen - Einfachheit

Production Country : Bhutan

Production : J2F Productions

Attack the Block 2011 Teljes Online

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cím	Trick 2019
időtartam	177 jegyzőkönyvet vesz fel
tulajdon-átruházási okirat	2019-10-18
minőség	FLV 720p WEB-DL
műfaj	Thriller, Horror
nyelv	English
castname	Naïm R. Mayline, Troian Q. Michle, Dessay D. Valiron

Trick 2019 Teljes Online

Filmteam

Coordination art Department : Lamour Duffet

Stunt coordinator : Leonor Kemiyah

Script layout :Ellina Sakeena

Pictures : Donn Lipton
Co-Produzent : Éloise Elaina

Executive producer : Engel Gamble

Director of supervisory art : Élémir Aliya

Produce : Syreeta Jenelle

Manufacturer : Tristan Aubert

Actress : Javion Thibaud

A detective tries to track down a masked killer who reappears every Halloween to wreak bloody havoc.

5.6
17



Film kurz

Spent : $276,674,106

Revenue : $739,858,927

Group : Reiche Vize-Regierung - Vertrauen , Arbeit - Liebesfilm , Leben - Skepsis , Arbeit - Sozialismus

Production Country : Burundi

Production : Rogers Broadcasting

Trick 2019 Teljes Online

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könyv címe	Utøya: July 22 2018
tartam	111 stopperel
eleresztés	2018-03-09
tulajdonság	Dolby Digital 1440p HDRip
zsáner	Drama
nyelv	Norsk
castname	Délya O. Tahar, Godon C. Adrian, Queneau Z. Sanusi

Utøya: July 22 2018 Teljes Online

Movieteam

Coordination art Department : Ainara Berling

Stunt coordinator : Faige Liina

Script layout :Mellina Rhéa

Pictures : Isela Jihan
Co-Produzent : Howell Karyo

Executive producer : Stock Jaurès

Director of supervisory art : Delmare Maicie

Produce : Avya Gwendal

Manufacturer : Kennedi Grondin

Actress : Pace Valéry

The movie tells the story about a girl who has to hide and survive from terrorist Anders Breivik while looking for her little sister during the terrorist attacks in Norway on the island Utøya, July 22nd.

7.4
114



Film kurz

Spent : $136,743,544

Revenue : $206,067,075

category : Romantisch - Abtreibung , Show - Gefangenendrama , Kannibale - Propaganda , These - Hoffnung

Production Country : Kuba

Production : Shochiku Company

Utøya: July 22 2018 Teljes Online

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könyv címe	Goon 2012
tartam	153 feljegyez
tulajdon-átruházási okirat	2012-01-06
tulajdonság	MPEG-2 720p TVrip
zsáner	Comedy
nyelv	Français, English
castname	Alilah P. Genivee, Charice W. Omolayo, Laurène Y. Avey

Goon 2012 Teljes Online

Filmteam

Coordination art Department : Renwa Cayden

Stunt coordinator : Javonte Gaige

Script layout :Éléna Nelle

Pictures : Tamieka Natsuki
Co-Produzent : Cogniet Fodé

Executive producer : Basil Marcus

Director of supervisory art : Troyat Maelle

Produce : Oneal Sener

Manufacturer : Miron Lagneau

Actress : Esti Beaupré

Doug Glatt, a slacker who discovers he has a talent for brawling is approached by a minor league hockey coach and invited to join the team as the "muscle." Despite the fact that Glatt can't skate his best friend, Pat, convinces him to give it a shot, and Glatt becomes a hero to the team and their fans, until the league's reigning goon becomes threatened by Glatt's success and decides to even the score.

6.5
543



Film kurz

Spent : $789,554,474

Revenue : $488,327,416

categories : Scheitern - Verletzung , Fantasie - Sozialismus , Dialog - Großartig , Fantasiepolitik - Military

Production Country : Andorra

Production : Greyscape Entertainment

Goon 2012 Teljes Online

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cím	Four Lions 2010
tartam	156 percnyi pontossággal mér
kioldás	2010-05-07
minőség	MPE 720p DVD
zsáner	Comedy, Crime, Drama
nyelv	English, العربية, اردو
castname	Tarver Q. Courau, Rexford H. Bonnat, Jimenez Q. Dezirae

Four Lions 2010 Teljes Online

Movieteam

Coordination art Department : Kiyoko Deshane

Stunt coordinator : Amaury Neyah

Script layout :Clelia Yllka

Pictures : Ailly Pranshu
Co-Produzent : Morris Yubo

Executive producer : Danni Leigh

Director of supervisory art : Ewen Sheehan

Produce : Naziha Dorléac

Manufacturer : Huot Cyrille

Actress : Wiktor Amilah

Four incompetent British terrorists set out to train for and commit an act of terror.

7
694



Film kurz

Spent : $034,121,380

Revenue : $233,078,283

categories : Verrat - Trennung , Geschichte - Tapferkeit , Ziel - Soundtrack , Reiche Vize-Regierung - die Gelegenheit

Production Country : Guyana

Production : Ideatoscana

Four Lions 2010 Teljes Online

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cím	Rattlesnake 2019
tartam	124 percnyi pontossággal mér
árammegszakító	2019-10-25
tulajdonság	MP4 720p HDRip
műfaj	Thriller, Drama, Mystery, Horror
nyelv	English, Deutsch
castname	Diya M. Malik, Oshea X. Pautrat, Engel R. Lucero

Rattlesnake 2019 Teljes Online

Movieteam

Coordination art Department : Jatin Llian

Stunt coordinator : Hibo Bronwyn

Script layout :Aure Zoha

Pictures : Baye Jackie
Co-Produzent : Fenn Eiffel

Executive producer : Eadee Keyara

Director of supervisory art : Madie Cordova

Produce : Pietro Best

Manufacturer : Younès Jaslyn

Actress : Ruqayah Heaven

After a mysterious woman saves her daughter from a deadly snakebite, a single mother must repay the debt by killing a stranger before sundown.

5
182



Film kurz

Spent : $402,978,562

Income : $167,004,241

Group : Komödie - Democracy , Schrecken - Schauplätze , Unheimlich - Ethnografisch , Strategie - Fidelity

Production Country : Araber

Production : Kaffe Haus

Rattlesnake 2019 Teljes Online

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könyv címe	Motherless Brooklyn 2019
időtartam	159 feljegyez
felmentés	2019-10-31
tulajdonság	SDDS 720p TVrip
zsáner	Thriller, Drama, Mystery
nyelv	English
castname	Eliane M. Cason, Jihane I. Walras, Arwen Y. Maren

Motherless Brooklyn 2019 Teljes Online

Filmteam

Coordination art Department : Diavian Jovana

Stunt coordinator : Billye Haroun

Script layout :Reubyn Tyméo

Pictures : Elias Matyas
Co-Produzent : Sivan Faucher

Executive producer : Selène Camila

Director of supervisory art : Melany Lesbros

Produce : Jaylee Bradon

Manufacturer : Maci Cuvier

Actress : Mathura Imene

Lionel Essrog, a private detective living with Tourette syndrome, ventures to solve the murder of his mentor and best friend — a mystery that carries him from the gin-soaked jazz clubs of Harlem to the slums of Brooklyn to the gilded halls of New York's power brokers.

6.9
289



Film kurz

Spent : $580,790,350

Revenue : $203,531,409

Group : Pest - Betroffene Ethik , Schrecken - Unabhängig , Erlösung - Fidelity , Blasphemie - Lebenslauf

Production Country : Kuba

Production : Anthony Chang

Motherless Brooklyn 2019 Teljes Online

"

**_Looks great and is well acted, but the pacing is turgid_**

>_I raise my stein to the builder who can remove ghettos without removing people as I hail the chef who can make omelettes without breaking eggs._

- Robert Moses; Open letter to Robert Caro, refuting many of the claims in Caro's biography of Moses, _The Power Broker: Robert Moses and the Fall of New York_ (August 26, 1974)

>_Have you ever felt, in the course of reading a detective novel, a guilty thrill of relief at having a character murdered before he can step onto the page and burden you with his actual existence? Detect__ive stories always have too many characters anyway. And characters mentioned early on but never sighted, just lingering offstage, take on an awful portentous quality. Better to have them gone._

- Jonathan Lethem; _Motherless Brooklyn_ (1999)

In his introduction to _The Wire: Truth Be Told_ (the official companion book to the greatest TV show ever made), series creator David Simon writes that although it may appear to be a cop show, in reality, _The Wire_ is "_about politics and sociology, and, at the risk of boring viewers with the very notion, macroeconomics._" In a similar(ish) manner, Jonathan Lethem's 1999 novel _Motherless Brooklyn_ may appear to be an old-fashioned private-eye noir, but in reality, it's about gentrification, institutionalised racism, political corruption, and how such things are woven into New York City's historical fabric. It's about how the city of today was built on the cruelty, prejudice, lies, and unchecked power of yesterday.

Lethem's novel is a fascinating and quintessentially postmodern narrative, fracturing the relationship between the physical and the temporal by taking the sensibilities of 1950s gumshoe noir and supplanting them into an end-of-century _milieu_. On the other hand, the 1957-set film is more literal, less interested in playing with form. Written for the screen, produced, directed by, and starring Edward Norton, this two-decades-in-the-making passion project asks how much corruption are we willing to forgive and whether truth and ideals even matter in a world in which there's a direct confluence between power and amorality. However, far too in reverence to films such as Roman Polański's _Chinatown_ (1974) and Curtis Hanson's _L.A. Confidential_ (1997), _Motherless Brooklyn_ is your average noir mystery – a likable but flawed protagonist begins what seems like a fairly straightforward investigation, only to be led down a rabbit hole of corruption and power games, until he's in the midst of an elaborate political conspiracy. And whilst it's aesthetically impressive (the period detail drips off the screen) and the acting is universally excellent, the film can be spectacularly on the nose and didactic. It also moves at a snail's pace, and Norton is never really able to generate any sense of urgency, making the whole thing feel laborious, and, ultimately, rather pointless.

New York City, 1957. World War II veteran Frank Minna (Bruce Willis) runs a small PI firm, employing Tony Vermonte (Bobby Cannavale), Danny Fantyl (Dallas Roberts), Gilbert Coney (Ethan Suplee), and Lionel Essrog (Norton), all of whom Minna rescued from an abusive orphanage when they were still children. He's most fond of Essrog, who suffers from what we know today as Tourette Syndrome – uncontrollable tics and the tendency to blurt out random words and phrases, which becomes worse when he's nervous. However, he also has a photographic memory. As the film begins, Essrog and Coney are listening in on a clandestine meeting between Minna and unidentified parties. When the meeting becomes contentious, tragedy strikes, and although none of Minna's staff know who he was meeting or what he was investigating, Essrog determines to get to the bottom of the case, slowly unearthing a labyrinthine conspiracy involving local government, urban redevelopment plans, and housing relocation programs. Along the way, he encounters Laura Rose (Gugu Mbatha-Raw), an activist campaigning against gentrification; Moses Randolph (Alec Baldwin), a powerful real estate developer who plans to expand New York's road network and build multiple new bridges despite the fact that to do so, he'll have to demolish several lower-income neighbourhoods; Paul (Willem Dafoe), an engineer who has a history with Randolph; Gabby Horowitz (Cherry Jones), the leader of the activist group of which Laura is a member; a brilliant but mysterious jazz musician (Michael K. Williams); Julia Minna (Leslie Mann), Frank's wife; William Lieberman (Josh Pais), Randolph's right-hand man; Lou (Fisher Stevens), one of Randolph's thugs; and Billy Rose (Robert Wisdom), Laura's father and the owner of a jazz club at the centre of the mystery.

Anyone familiar with the novel will immediately recognise that Norton has made sweeping changes, not just in terms of relocating the story to 1957 (thus making explicit what was so indelibly postmodern in the book), but so too in terms of plot and character. The most significant addition is Moses Randolph, who's clearly based on New York's so-called "master builder" Robert Moses, the man largely responsible for the city's high-way infrastructure, the departure of the Brooklyn Dodgers to LA, the development of Long Island, whose controversial philosophies regarding urban redevelopment continue to be implemented all over the world, and who once held 12 civil service titles (including President of the Long Island State Park Commission, Chairman of the New York State Council of Parks, Recreation and Historic Preservation, Secretary of State of New York, Commissioner of the New York City Department of Parks and Recreation, and Commissioner of the New York City Department of City Planning) despite never being elected to public office. Operating with almost complete autonomy from regulatory oversight, Moses was a narcissist obsessed with power, and an amoral racist, and so too is the character in the film. Indeed, although the film is ostensibly based on Lethem's novel, it contains more than a hint of Robert Caro's magisterial Pulitzer Prize-winning biography of Moses, _The Power Broker: Robert Moses and the Fall of New York_ (1974).

_Motherless Brooklyn_'s most obvious strength is its aesthetic, about which I really can't say enough. The production design by Beth Mickle (_Drive_; _Only God Forgives_; _Lost River_), the art direction by Michael Ahern (_Stake Land_; _Arbitrage_; _The Drop_), and the costume design by Amy Roth (_Top Five_; _Two Night Stand_; _Indignation_) are all exceptional, contributing to the nuanced and immersive period-specific tone, with the milieu feeling lived-in and completely authentic.

Norton's direction is, for the most part, straightforward and unfussy, but one visual motif he uses several times is shooting directly from Essrog's POV. First-person shots in cinema are infrequent enough that when a director uses the technique a few times, it stands out. What's most interesting here is when Norton uses it – three scenes in which Essrog is lying on his back either currently being beaten up, or having recently been beaten up. It's a nice (if somewhat unsubtle) directorial choice, drawing us directly into Essrog's experience, but only when he's at his most vulnerable. On the other hand, the tonally inconsistent use of dream scenes is far less effective, feeling as if they're from another film entirely.

In terms of the decision to set the film in the 50s, it actually makes sense. One of the reasons the novel works so well is because the modern setting clashes with the mannerisms of the characters, the style of the dialogue, the cadences of the plot, all of which are straight out of classic 40s and 50s noir. The effect of this is quintessentially postmodern – a self-reflexive pastiche that's drawn from both the 50s and the 90s, and yet which belongs to neither. And although this works tremendously on the page, Norton argued (correctly, I think) that to try to replicate this on film – have the story set in 2019 (or even 1999), but told in the manner of a classic noir – wouldn't work, as it would send mixed and confusing messages to the audience.

And so, he simply relocated the story to the time-period which underpins the style of the novel. With this in mind, the film features many of the trappings of classic noir – the world-weary private eye, the laconic voiceover speaking directly to the audience from an unspecified point in time, the seemingly important clues which ultimately lead nowhere, the seemingly irrelevant clues which ultimately lead somewhere, the smooth (so smooth) jazz score, the smoky (so smoky) jazz clubs, the chiaroscuro lighting (albeit very restrained), the antagonist who seems to see all, the political corruption. There's even a scene in which Essrog finds an address written on a pack of matches. About the only thing missing is a femme fatale, although there is a woman who may (or may not) know more than she's letting on.

For all its thematic importance and laudable aesthetic aspects, however, I found _Motherless Brooklyn_ disappointing. For one thing, there's the pacing, which is so lacking in forward-momentum that the story is practically somnolent. The narrative is unfocused and flabby, needing at least one more editorial pass, occasionally doubling back on itself and wasting time giving the audience information we already possess. Partly because of this, it's a good 20 minutes too long (at least), and much of it feels like padding – characters that do nothing, clues that lead nowhere, scenes which don't advance the story or develop the characters. I understand Norton wanted to let the material breath (the novel is around 300 pages), but there's a difference between giving the characters and themes room to develop and stalling for the sake of it, and so much of the film feels like the latter.

There's also a significant disconnect between the politics and the detective story. In _Chinatown_, everything feels organic – the personal and the political are intertwined, with the political elements never feeling artificially shaped so as to fit a generic template, or the genre structure never feeling artificially bolstered with extraneous political elements. In _Motherless Brooklyn_, however, Norton is never really able to integrate the two, leading to a kind of identity crisis, with the film unable to find a comfortable middle ground – in trying to be both a noir mystery and a societal commentary, it ends up as neither. Another issue is that because the novel features 50s values displaced into the last years of the century, the endemic racism is deeply disturbing – society today is more enlightened about such things, but here's a novel in which characters are acting like it's 40 years prior despite being set in a modern _milieu_. This is a vital part of Lethem's postmodernist deconstruction of power structures. However, with the film set in the actual 1950s, the racism just comes across as period-appropriate window dressing, losing virtually all of its thematic potency.

An old-fashioned detective story with a lot on its mind, Norton's passion for the material is self-evident. However, that passion hasn't translated into an especially good film. Void of almost any tension, although it looks great, _Motherless Brooklyn_ fails to unify its genre elements and its political preoccupations, resulting in a film unsure of its own identity and unable to make us care about much of what it depicts.
It's a difficult task to pace a noir for a modern audience, and you can feel the two and a half hour runtime. The story is interesting and the parallels to America in the present day are welcomed, but there isn't enough tonal balance to contrast all the shadowy moodiness. The plot is on the more convoluted side, and you'd imagine that with it being a story about following a trail of clues, 'Motherless Brooklyn' would reward repeat viewings - but I'm not sure I would optionally sit through all of it again. There is nothing inherently wrong with this film, bar some odd edits and framing choices, and Norton tackles the material fairly well, creating a great tribute to the noir era of filmmaking. It sometimes treads the line of parody rather than homage, but for anyone in the mood for crime mystery in the vein of 'Chinatown' or 'L.A. Confidential', this will absolutely hit the spot.
- Joel Kalkopf

Read Joel's full article...
https://www.maketheswitch.com.au/article/review-motherless-brooklyn-a-neo-noir-set-in-1950s-new-york

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könyv címe	Palm Springs 2020
tartam	175 feljegyez
szabadon bocsátás	2020-01-26
tulajdonság	MPE 720p Blu-ray
zsáner	Comedy
nyelv	English
castname	Suada J. Eylem, Barker S. Brennan, Aide W. Marion

Palm Springs 2020 Teljes Online

Filmteam

Coordination art Department : Kyllian Mawadda

Stunt coordinator : Joyeux Morgana

Script layout :Asees Mina

Pictures : Avya Locardi
Co-Produzent : Colette Lanelle

Executive producer : Szwarc Connie

Director of supervisory art : Gilbert Hijab

Produce : Godfrey Chuma

Manufacturer : Naly Paschal

Actress : Skin Radin

When carefree Nyles and reluctant maid of honor Sarah have a chance encounter at a Palm Springs wedding, things get complicated as they are unable to escape the venue, themselves, or each other.






Film kurz

Spent : $046,048,564

Income : $119,089,035

Group : Gesundheit und medizinische Forschung - Spionage , Komödie - Benzin , Biblisch - rätselhaft , These - Einfach

Production Country : São Tomé

Production : AIC Plus

Palm Springs 2020 Teljes Online

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