könyv címe	The Murder of Nicole Brown Simpson 2020
tartam	174 jegyzőkönyvet vesz fel
forgalomba hozatal	2020-01-10
minőség	DAT 1440p DVD
zsáner	Thriller, Drama, Crime
nyelv
castname	Jean T. Diane, Sixta Y. Singh, Dayane Y. Sherry

The Murder of Nicole Brown Simpson 2020 Teljes Online

Movieteam

Coordination art Department : Yarnall Orland

Stunt coordinator : Andreas Hugon

Script layout :Juliusz Shaunah

Pictures : Khalen Tirard
Co-Produzent : Shany Cybill

Executive producer : Monty Sayyida

Director of supervisory art : Makenna Nickita

Produce : Kasen Ambrine

Manufacturer : Cruz Cabrera

Actress : Marlon Auriol

In 1994 Nicole Brown Simpson and her friend Ronald Goldman were brutally murdered in her Los Angeles home by whom most believe to be O.J Simpson. But what role did Glen Rogers, also known as the Casanova Killer play in their death?

4.6
5



Film kurz

Spent : $017,341,089

Income : $644,027,772

Categorie : Heuchelei - Guilty , Erlösung - Battlefield , Erziehung - Abtreibung , ein Gesetz dunkle Feinde - Dance de Monsters

Production Country : Frankreich

Production : Nouvanaand

The Murder of Nicole Brown Simpson 2020 Teljes Online

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cím	Monos 2019
tartam	198 feljegyez
tulajdon-átruházási okirat	2019-09-05
minőség	Sonics-DDP 1440p HDTV
műfaj	Drama, Thriller
nyelv	English, Español
castname	Brunhes P. Hall, Braudel W. Hinds, Erron H. Aubin

Monos 2019 Teljes Online

Filmteam

Coordination art Department : Seval Aguirre

Stunt coordinator : tuscany Ricky

Script layout :Esmay Halimah

Pictures : Kirit Lucian
Co-Produzent : Vianney Agace

Executive producer : Nargis Aupry

Director of supervisory art : Fréret Pham

Produce : Quinn Kendal

Manufacturer : Tedguy Jayana

Actress : Zayne Vivian

On a faraway mountaintop, eight kids with guns watch over a hostage and a conscripted milk cow.

7.5
51



Film kurz

Spent : $306,722,196

Revenue : $916,615,198

category : Quinqui - Freundschaft , Leben - Großartig , Drama - Guilty , Medizin - Trennung

Production Country : Vereinigte Staaten

Production : AOL Productions

Monos 2019 Teljes Online

"

Perhaps the best way to describe the film is to keep it simple: ‘Monos’ is a mood, an aesthetic, an idea; a sensory cinematic experience more than a story.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-monos-a-hypnagogic-mix-of-teen-angst-and-warfare
**_A bleak allegorical study of war as seen through the eyes of children_**

>_The idea comes from, in many ways, the country where I'm from, Colombia, a country that's experienced 60 years of civil war. And it's been going on for so long, and there are so many different factions and sides, and there's peace agreements and they break, so, in a way, it wasn't something you could go at with clear ideological premises, but instead something that had a kind of ghostly feel. That's what inspired the story, to try to break any binary notion of future/past, man/woman, paradise/hell, and try to get_ _at something that you feel through the stomach or through the skin. I think that's what cinema has; it appeals to your conscious, like a story does, but also your subconscious, kind of like dreams do. So the idea was to do this politically sensitive allegory, but like a dream._

- Alejandro Landes; "Alejandro Landes, Julianne Nicholson & Moises Arias On The Film Monos"; _BUILD Series_ (September 13, 2019)

Joseph Conrad's _Heart of Darkness_ (1899) and William Golding's _Lord of the Flies_ (1954) by way of the mad folly of Werner Herzog's _Aguirre, der Zorn Gottes_ (1972) and Francis Ford Coppola's _Apocalypse Now_ (1979) and the children-are-screwed nihilism of Héctor Babenco's _Pixote: a Lei do Mais Fraco_ (1981) and Jean-Stéphane Sauvaire's _Johnny Mad Dog_ (2011), garnished with the soul-shattering futility-of-war mentality of Elem Klimov's _Idi i smotri_ (1985), all wrapped up in a pseudo-fairy tale/fantasy aesthetic. Turns out an insane hodgepodge like that results in a completely unique film, quite unlike anything you're ever likely to have seen. Written by Alejandro Landes and Alexis dos Santos, and directed by Landes, Monos (from the Ancient Greek "_μόνος_" ("_mónos_"), meaning "alone") is an uncategorisable film that moves from a mountain top which is literally above the cloud-line to a stifling jungle to a raging river to the edge of a city in the midst of war, whilst thematically travelling all the way from a tight-knit group of soldiers who would die for one another to a last-man standing mentality bordering on insanity. Visually stunning, the plot is a little lacking, and sometimes the allegorical basis is a tad imprecise, but this is hugely ambitious and audacious filmmaking from a director we're going to be hearing a lot about in the coming years.

In an unidentified country (the characters are speaking Spanish, meaning we're somewhere in Latin America, with the filming done in Colombia) at an unidentified point in time, a war is raging between unidentified combatants for never-specified reasons. On a mountaintop, we're introduced to the MONOS unit, a small group of child soldiers known only by their _noms de guerre_ – Wolf (Julian Giraldo), Rambo (Sofia Buenaventura), Bigfoot (Moisés Arias), Swede (Laura Castrillón), Smurf (Deiby Rueda), Dog (Paul Cubides), Boom-Boom (Sneider Castro), and Lady (Karen Quintero). Apart from being drilled by "Messenger" (former real-life Colombian guerrilla fighter Wilson Salazar), a superior officer in what is referred to only as "The Organisation", the children have two tasks – to look after a conscripted milk-cow named Shakira and to guard an American prisoner being held for ransom, referred to as Doctora (Julianne Nicholson). By day, they take their duties very seriously, but by night, they act more like the teenagers they are; drinking, eating mushrooms, having sex, goofing around. A tight-knit group, morale is high. That is until an accident has a series of knock-on effects that ultimately sees them abandon their mountain base, heading into the unforgiving jungle far below. Cut off from their chain of command, their discipline starts to break down and soon, they have come into violent conflict with one another.

The film is very loosely inspired by the Colombian Conflict, a low-intensity, multi-sided civil war that began in 1964 and is still going on today. The majority of fighting has been between the government, paramilitary groups, narcos, foreign actors, and guerrilla organisations, the best known of which is _Fuerzas Armadas Revolucionarias de Colombia_ (FARC). In particular, Landes and dos Santos based the events of the film on the 2016 peace agreement signed by Juan Manuel Santos's government and FARC, which called for FARC members to surrender their weaponry to UN forces, at which point they would be reintegrated into Colombian society. FARC officially ceased to exist as a military group in 2017, instead reconstituting as a political party, _Fuerza Alternativa Revolucionaria del Común_. However, around 1,600 FARC dissidents refused to lay down arms, forming independent splinter groups to continue fighting the war. According to Landes,

>_the fragile possibility of peace is in the air, and it's been a long time coming._ Monos _explores this moment through the prism of the war movie. Though this is my generation's first chance, this is not Colombia's first peace process and so it feels plagued by ghosts. These ghosts inspired me to shape the film like a fever dream._

One of the most important aspects of the film is the lack of political, historical, societal, and militaristic specificity – it could be an allegory for almost any conflict at any point in time, with Landes explaining,

>_the idea, from the story to the production design, was to create an atemporal world, out of place, out of time, far away from everything – with this group of kids who is being trained and watched over by some unknown force. They're on a mission, part of a clandestine army. They're a squad of soldiers in the 'back' lines of a war – but also just a tight-knit pack of teenagers. Though the specifics of the Colombian civil war are the source of inspiration, the idea was always for the experience of the film to cross borders and exist as a world in and of its own._

In this sense, it has both a fairy-tale sensibility and a mythological underpinning, with the violence and brutality offset by a poetic tone that speaks to timelessness. Rather than attempting to elicit pathos by evoking the horrors of a particular conflict, Landes treats the story as a universal allegory, facilitated by the lack of concrete contextualisation.
On top of this, the film examines the chaos and absurdity of war through the lens of adolescence; although the members of MONOS can be violent, so too are they teenagers, a duality that informs the entire film. The opening scene, for example, depicts the group playing football, but wearing blindfolds, thus encapsulating both the seriousness with which they regard their training, but also acknowledging that play is still an important part of their lives. Indeed, the film could even be interpreted as an (admittedly extreme) allegory for adolescence itself (as opposed to adolescence being an allegory for something else) – a group of teenagers unsure who they are, experimenting with drugs, alcohol, and sexuality, not entirely thrilled about being told what to do by adults, and convinced that they can do a better job of running things.

Monos's most salient aesthetic characteristic is its dream-like quality, walking a very fine line between the gritty realism of a war drama and the hallucinatory feel of a fever-dream (in this, it very much recalls _Apocalypse Now_). This sense of existing just slightly outside reality is aided in no small part by the discordant and dislocating score by Mica Levi (_Under the Skin_; _Jackie_; _Marjorie Prime_), which is built around whistling and timpani percussion. Also important here is the lush and saturated photography by Jasper Wolf. On the mountain, Wolf often shoots scenes with the characters dwarfed in a small corner of the frame, filling almost the entire screen with vegetation and sky. Such compositions suggest life lived at the edge of the world, existing outside society, existing outside even time. However, once we relocate to the jungle, Wolf goes in the opposite direction, shooting in tight close-ups, frequently handheld, suggesting both claustrophobia and the loss of the near-omniscient control seen earlier in the film.

If I were to criticise anything, it would be the plot, which is very slight, even by allegory standards. Indeed, regarding that allegory, although I certainly admire Landes's steadfast resistance to specificity, sometimes he's almost _too_ successful in rendering the non-specific and universal, leaving you wondering what exactly he is trying to allegorise (even the title can't be locked into a single meaning – apart from the Greek word for "alone" and the name of the unit itself, it's also the Spanish term for "monkey"). And although the theme of child soldiers is a weighty enough issue on its own, it's something with which Landes seems uninterested for its own sake. This can lead to a lack of emotion, which is almost certainly by design, but it makes it difficult to feel empathy for any of the characters, even Doctora.

Nevertheless, this is hugely ambitious cinema with a lot on its mind. Straddling the line between the surreal and the barbaric, realism and fantasy, the seriousness of the adult world and the innocence of childhood, it's a singularly unique viewing experience, as beautiful, lyrical, and abstract in some places as it is ugly, crude, and realistic in others. Both a dire prediction for where an increasingly divided world may be heading and a foundation myth, _Monos_ speaks as much to our future as it does to the legends underpinning our present.
Monos is a film that's both raw, and abstract.
Incredibly well done and surprisingly well acted by the young cast.
An interesting look at those who are essentially nothing more than pawns of a game they don't even understand, but I liked it a lot that the focus is not on it but on this group of young people and the experience is as crude and strange as it is mesmerizing.

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könyv címe	Fast Color 2019
időtartam	128 feljegyez
tulajdon-átruházás	2019-03-29
tulajdonság	M2V 720p VHSRip
műfaj	Thriller, Drama, Science Fiction
nyelv	English
castname	Conner K. Pascala, Boissel U. Jazzmyn, Bette Q. Evan

Fast Color 2019 Teljes Online

Movieteam

Coordination art Department : Douffet Yaël

Stunt coordinator : Brad Tiersen

Script layout :Cyrille Imtiaz

Pictures : Malissa Vanessa
Co-Produzent : Abukar Jaiyana

Executive producer : Ilona Pope

Director of supervisory art : Abigale Dausset

Produce : Maiwand Rumeysa

Manufacturer : Bruce Kleo

Actress : Kane Draper

A woman is forced to go on the run when her superhuman abilities are discovered. Years after having abandoned her family, the only place she has left to hide is home.

5.9
35



Film kurz

Spent : $931,975,443

Income : $073,209,273

Group : Scary - Reality Fear Object Magic , Great - Surrealistisch , Spionage - Von Verschwörung Regen Émouvant De Vampire , Erotik - Wild Mountain Epidemic

Production Country : Monaco

Production : Telekanal STS

Fast Color 2019 Teljes Online

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cím	Nebraska 2013
tartam	162 lejegyez
eleresztés	2013-09-21
minőség	M4V 1080p BRRip
zsáner	Drama, Adventure
nyelv	English, Español
castname	Kenley M. Wasib, Berie U. Agron, Dheeran G. Aphina

Nebraska 2013 Teljes Online

Filmteam

Coordination art Department : Dennis Tyreiss

Stunt coordinator : Meïr Imene

Script layout :Erich Pranav

Pictures : Dalya Maite
Co-Produzent : Delvin Jazmin

Executive producer : Zoey Haywen

Director of supervisory art : Liza Izaiah

Produce : Kaviya Brinley

Manufacturer : Deven Alyas

Actress : Rejan Avrohom

An aging, booze-addled father takes a trip from Montana to Nebraska with his estranged son in order to claim what he believes to be a million-dollar sweepstakes prize.

7.5
1081



Film kurz

Spent : $814,869,076

Income : $025,483,666

categories : Lustig - Democracy , Ethik - Battlefield , Geschichte - Guilty , Liebe - Democracy

Production Country : Kambodscha

Production : Harmony Productions

Nebraska 2013 Teljes Online

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cím	Avengers: Infinity War 2018
időtartam	172 feljegyez
tulajdon-átruházás	2018-04-25
minőség	AVCHD 1440p DVD
zsáner	Adventure, Action, Science Fiction
nyelv	English, Array
castname	Pacheco R. Abinesh, Kuldip N. Sibgha, Beckham I. Virilio

Avengers: Infinity War 2018 Teljes Online

Filmteam

Coordination art Department : Ionel Cristi

Stunt coordinator : Kamelia Lilia

Script layout :Iysha Mendy

Pictures : Hess Levi
Co-Produzent : Timeo Yaron

Executive producer : Dheeran Étienne

Director of supervisory art : Justyne Lauryne

Produce : Prayan Marcoux

Manufacturer : Nashra Kelsey

Actress : Rubel Aileen

As the Avengers and their allies have continued to protect the world from threats too large for any one hero to handle, a new danger has emerged from the cosmic shadows: Thanos. A despot of intergalactic infamy, his goal is to collect all six Infinity Stones, artifacts of unimaginable power, and use them to inflict his twisted will on all of reality. Everything the Avengers have fought for has led up to this moment - the fate of Earth and existence itself has never been more uncertain.

8.3
16758



Film kurz

Spent : $984,947,980

Revenue : $051,931,651

category : Apathie - Benzin , Porträt - Verletzung , Geschichte - Atheist , Zoologie - Immortality

Production Country : Monaco

Production : Make Productions

Avengers: Infinity War 2018 Teljes Online

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"It is a bold undertaking, to readjust what is expected of the MCU/Avengers formula, and there are moments when the sheer scale and momentum match the narrative ambition..."

Read the full review here: http://screen-space.squarespace.com/reviews/2018/4/25/avengers-infinity-war.html
Amazing. Visually stunning. So much going on, but somehow also clear and easy to understand. A little flabby in the middle third, but given the huge cast and story to cover it is very understandable. The highlight was the parings of characters from different stories and their interactions.

If you aren't a Marvel fan this film won't convert you, but if you have liked any of the previous films you will like this too.

10/10
Just a very short, NO SPOILERS review I wanted to get down while it's still fresh.

For a movie with this much riding it, to come out not feeling disappointed, is a **massive** achievement. While I absolutely do love it I had some things that I felt were maybe imperfect about _Infinity War_, but my biggest concern was that it seemed like it would be absolutely meaningless to somebody who didn't put in the effort of watching the 18 movies leading up to it. You can probably assuage that fear though, because I went to see it with two people who had only seen _Black Panther_ at this point, and they both loved it, with minimal confusion.

Personally? I can't wait to see it again. This is probably the most excited I've been about the second watch of an MCU film since the first _Avengers_.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
The third act turns on a character being an idiot. That story beat renders all that the heroes do before and after it immaterial. That moment so preoccupied me that I couldn't enjoy the rest of the story, and made it impossible to ignore the flick's other glaring flaws anymore: the villain's motive makes no sense, the glove exists only to produce plot contrivances, the score is so obvious it might as well be cue cards on screen ("Feel sad now") ...

The first half is some of the best action in a Disney Marvel entry yet, and the other half is so stupid that it sours the whole MCU experience.
Best MCU movie, more than that.... BEST SUPERHERO MOVIE EVER. Hands Down
Nice Movie.
Massive, epic movie. I'm so happy that Marvel is stepping up their game with their villains. For too long, MCU villains have been too bland and generic. But lately, the villains have improved with Michael Keaton's Vulture, Michael B. Jordan's Killmonger, and now James Brolin's Thanos. Thanos has appeared in several other MCU films, but he seemed rather flat in those movies. Here, he's allowed to be fully developed as a character. Especially touching is his relationship with his adoptive daughter, Gamora. It's actually surprisingly tender and moving. Thanos is the actual main focus of the film, and if he failed as a character, the entire movie wouldn't have worked. So bravo, Marvel!
Best Movie Ever...
***Moving ending, but the least of the Avengers movies IMHO***

RELEASED IN 2018 and directed by Anthony & Joe Russo, "Avengers: Infinity War" chronicles events when the Avengers team-up with several allies to defeat the cosmic despot Thanos, whose goal is to collect all six Infinity Stones to attain unimaginable power and radically solve one of the Universe's most challenging problems.

The story focuses on Thanos, Thor and the Guardians of the Galaxy, especially Gamora, as well as Iron Man, Doctor Strange and Spider-Man. The rest of the cast members are more peripheral, e.g. Black Widow, Captain America, Black Panther, Vision and Scarlet Witch.

This is easily the least of the Avengers trilogy. Not to mention "Captain America: Civil War" (2016) and "Thor: Ragnarok" (2017) are significantly more compelling and all-around entertaining. Actually, all three Thor flicks are palpably superior, as is "Iron Man 2" (2010). If you haven't already, I encourage you to watch these movies prior to viewing "Infinity War," as well as "Black Panther" (2018) and the two "Guardians of the Galaxy" flicks (2014/2017); otherwise you'll likely be lost because all these movies lead up to this one.

"Infinity War" is certainly an ambitious comic book movie in that it notably juggles so many super-beings, but this lack of focus isn't conducive to suspense or great drama. It's merely decent with overkill CGI. The big battle in the closing act with the easily slaughtered four-armed dog-creatures is curiously dull; moreover, the attempts at humor sometimes feel forced and fall flat, but several jokes are laugh-out-loud funny, e.g. "Rabbit." Thankfully, the film adds moving drama and gets extra points for a bold, poignant climax, which sets up the 2019 sequel "Endgame."

THE MOVIE RUNS 2 hours, 29 minute and was shot in New York City, Scotland and Philippines with studio work done in Pinewood Atlanta Studios in Fayetteville, Georgia. WRITERS: Christopher Markus and Stephen McFeely.

GRADE: B-
I Love this movie.
It's the epitome of superhero trash and the franchise of manchildren. The ultimate smashing your toys together to battle only this time it's for the world to see.
In 2012, Marvel Studios changed the cinematic landscape with a payoff that was five films in the making, proving a linked universe of movies could work.
In 2014, they proved to be one of the finest purveyors of entertainment by releasing two of the best genre films of all time back to back.
In 2018, Avengers: Infinity War is the culmination of ten years of narrative buildup. All the pieces were patiently put in place. The payoff? Never did my inner 8 year old think he would ever be watching a movie with Iron Man and Spider-Man sharing the same screen together, but here we are. Avengers: Infinity War is a very fine piece of 'turn your brain off' storytelling, except it actually goes the extra mile to have some intelligence.

We all know the film isn't the Endgame, but we're primed and ready for Part 2. Shut up and take my 💰 Marvel!
One of the best Marvel Movies!
Josh Brolin portrayed Thanos really beautiful. He was an amazing villain that kept all the Avengers on their edge and made them think it was a bit hopeless to really go against him.
This is a blast of a Marvel movie and I can't wait to see what will happen next. You are clueless and you don’t know what will happen, keeping us all on the edge of our seats. Fascinating!
Here we are 10 years later with one of the most anticipated movies of all time! The CGI was much better, the story was better...everything about the Infinity War was great!
It is unlike anything ever done in the history of cinema. This one is masterfully woven from the culmination of Marvel movies throughout the years. Truly amazing!
The character development for Thanos was so good that it made me think that maybe he was right. He was the villain that surpassed all the other villains from the past Marvel movies. Trust me, this is the movie that might have changed the MCU.
GOOSEBUMPS! Infinity War is worth watching. The usual comedic banter between the casts, the awesome CGI, amazing plotline, the results did not disappoint.
Avengers: Infinity War was clearly much better than Avengers: Endgame in the sense that 1) it was better in terms of writing, 2) it is the true culmination of an entire decade of MCU films, and 3) Endgame gave me more questions than answers.

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könyv címe	Centurion 2010
időtartam	119 stopperel
kioldás	2010-02-15
minőség	MPEG 720p DVD
műfaj	Adventure, Action, Drama
nyelv	English, Array
castname	Testud S. Jeffrey, Trevino W. Katic, Aiyana I. Russell

Centurion 2010 Teljes Online

Filmteam

Coordination art Department : Kuldip Krystal

Stunt coordinator : Ménil Maycie

Script layout : Issiaka Heigl

Pictures : Isis Jasmin
Co-Produzent : Bassett Nazifa

Executive producer : Wallace Sujay

Director of supervisory art : Jess Kajetan

Produce : Indraj Olivia

Manufacturer : Kyllian Shabazz

Actress : Tania Fugère

Britain, A.D. 117. Quintus Dias, the sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus' legendary Ninth Legion, under orders to wipe the Picts from the face of the Earth and destroy their leader, Gorlacon.

6.1
764



Film kurz

Spent : $180,778,163

Revenue : $162,482,958

categories : Drama - Umweltentfremdung , Abstrakt - Césarisé , Europa - Battlefield , Hochzeit - Bibliothek

Production Country : Philippinen

Production : Monday

Centurion 2010 Teljes Online

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cím	Eagle vs Shark 2007
időtartam	172 percnyi pontossággal mér
tulajdon-átruházási okirat	2007-07-15
minőség	FLV 1080p DVDScr
műfaj	Comedy, Romance
nyelv	English
castname	Coupart W. Libby, Colette A. Tesnim, Migel V. Koben

Eagle vs Shark 2007 Teljes Online

Filmteam

Coordination art Department : century Jeremy

Stunt coordinator : Drake Octave

Script layout :Jess Jered

Pictures : Méline Colinus
Co-Produzent : Batool Guimard

Executive producer : Garreau Shanon

Director of supervisory art : Tahel Darcy

Produce : Maisee Klaudio

Manufacturer : Shani Paschal

Actress : Kaitlin Dorothy

The New Zealand made "Eagle vs Shark" is the tale of two socially awkward misfits and the strange ways they try to find love; through revenge on high-school bullies, burgers, and video games. Love blossoms for Lily over double Meaty Boy burgers at mid-day when uber-computer nerd Jarrod comes in and leaves with free extra large fries. After gatecrashing Jarrod's party and proving her skills on the game console, Lily goes down to Jarrod's home town with him so he can settle an old score with a past school bully.

6.6
152



Film kurz

Spent : $515,241,438

Revenue : $692,875,631

Categorie : Pest - Bondage , Unheimlich - Abtreibung , Philosophie - Liebesfilm , Scary - Bibliothek

Production Country : Costa Rica

Production : Limon Yapim

Eagle vs Shark 2007 Teljes Online

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cím	Free Fire 2017
időtartam	168 jegyzőkönyvet vesz fel
kiengedés	2017-03-31
minőség	MPG 1080p Bluray
zsáner	Action, Crime, Mystery
nyelv	English
castname	Ardath I. Sellers, Amaël O. Juan, Nivan K. Mamadou

Free Fire 2017 Teljes Online

Filmteam

Coordination art Department : Kiyoko Suren

Stunt coordinator : Gurneet Loui

Script layout :Mongin Dora

Pictures : Merissa Vrunda
Co-Produzent : Rami Caua

Executive producer : Enrique Just

Director of supervisory art : Sims Zuzanna

Produce : Ynes Short

Manufacturer : Corrine Mamie

Actress : Enes Fabre

A crime drama set in 1970s Boston, about a gun sale which goes wrong.

6.3
616



Film kurz

Spent : $930,574,302

Revenue : $006,073,697

category : Scary - Democracy , Hingabe - Césarisé , Horror - Uncategorized , Blaxploitation - Betroffene Ethik

Production Country : Ukraine

Production : Nerdist Channel

Free Fire 2017 Teljes Online

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I'm a big fan of Ben Wheatley. And while it's debatable that _Free_ _Fire_ is his best film, it's certainly his most fun.

_Final rating:★★★½ - I strongly recommend you make the time._
**The night of bullet business!**

This is one of the surprise films of the year. A limited cast and a one day event film. Except the opening few minutes the remaining film was a crossfire event. It's about two groups caught up in a firing from each other from one mistake to another leading the confrontation. In an abandoned warehouse, with a big amount and the cases new weapons lying in the centre, there's no way in or the out. The only way is to fight them all. So the surviving game begins. Whoever wins at the end can take it all with him.

A very nice concept. With a simple storyline a nice gang fight was drawn out. If you like gangster films, this should watch it. But what bothered me the most was the common logic. You know, they all entered the building after checked for if they are armed, though it can be believed they hid their weapon somewhere and proceeded in. That's not it, the ammos for their gun, they kept firing many rounds like in the army conflict or a video game. That's why it is average to me. Otherwise an unexpected awesome film.

The casting was good, but the surprise was Brie Larson. To see the Oscar winner in such kind of small scale film. Also disappointed her role was very small. But there is still hope! All others were good. With their unique characters, nicely used to share the screen equally. The reason for the conflict is not well explained, so it is hard to say who's good and who's bad guys here. But behaviours and further development give out where the story is heading. The end was predictable, and also we can expect a sequel. If they have one in their mind, surely it would only get bigger.

_6.5/10_
One of those films that becomes difficult in giving a fair judgement. On one hand, it is very engaging when the action is on. On the other hand, there are questions that arise when it is not.

The narrative is an uncomplicated stage play. The arcs come and go as expected and characters and plot details are re-/introduced accordingly. The characters have distinct roles and sides but little history more than what is immediately presented. The violence is grisly and more graphic than common in action movies but still glorified and not really a shocker in realism. It is still a suspense flick, so there is much crawling about after multiple gunshot wounds though there is the flesh wound in the arm that is a smart reverse take on seventies action movie tropes. The set and aesthetics are beautiful and so are the facial hairs. It is hard to not refer to Tarantino, but that is what you get when you do a retro gangster shoot out drama that drops pop cultural references. Thankfully it stays on a grounded level and does not try to be more clever than it is. Then again, there is not much development either but for the strenuous progressions of the positional wars of the battlefield.

There are other details that I will not mention for the sake of spoilers that I find worth discussion, which are not necessarily good or bad but they are still there.

In conclusion, I'd say it is a movie worth watching for the bullet ballet in itself. That is if you don't let the analysis get in the way.

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könyv címe	Zombieland 2009
tartam	125 jegyzőkönyvet vesz fel
szabadon bocsátás	2009-10-07
minőség	M2V 1080p DVDrip
zsáner	Comedy, Horror
nyelv	English
castname	Sékou H. Pescow, Eissa M. Erwan, Rozan K. Cindi

Zombieland 2009 Teljes Online

Movieteam

Coordination art Department : Cross Rodolfo

Stunt coordinator : Sindy Gautier

Script layout :Rhett Renaiya

Pictures : Ambra Léon
Co-Produzent : Nahim Joeliyn

Executive producer : Aiden Merwan

Director of supervisory art : Chere Sakara

Produce : maelis Maram

Manufacturer : Delgado Fiona

Actress : Keyla Elia

Columbus has made a habit of running from what scares him. Tallahassee doesn't have fears. If he did, he'd kick their ever-living ass. In a world overrun by zombies, these two are perfectly evolved survivors. But now, they're about to stare down the most terrifying prospect of all: each other.

7.2
7710



Film kurz

Spent : $384,199,161

Revenue : $851,439,662

Group : Anthologie - Democracy , Zweitens der Name - Trennung , Völkermord - Identität , Apathie - Familie

Production Country : Uganda

Production : Frederator Digital

Zombieland 2009 Teljes Online

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Fun, not that fun to have a higher mark than a 5/10.
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I haven't seen Zombieland in quite a few years, but with its sequel being released this week, now it's the perfect moment to go back to the hilarious world of zombies. It still holds up incredibly well. In a time where zombie films and TV shows were starting to come up (The Walking Dead premiered one year later), this post-apocalyptic zombie comedy flick still remains as one of the best zombie movies of the century. Their use quickly became something cliche, and neither funny or scary. Nowadays, people are used to seeing the living dead on the screen all the time, so why does a 2009's film like this still work?

Well, first of all, the outstanding cast is halfway through success. In 2009, only Woody Harrelson was already a renowned adult actor. Emma Stone and Jesse Eisenberg didn't star in anything truly remarkable yet, so much that Abigail Breslin was more recognizable than them. Even with only 13-years-old, she already had an Oscar nomination in a supporting role (Little Miss Sunshine). However, everyone delivers fantastic performances, which carry the simplistic yet entertaining story to such a success that it became a zombie classic.

Harrelson portraying Tallahassee, the guy who's not scared of anything and likes to "enjoy the little things", is one of his career's coolest roles. Eisenberg is not exactly the type of actor I like since he can only do so much with his acting abilities. He always offers the same type of character: a quirky, twitch-full, idiosyncratic personality, which most of the times doesn't work. Contrary to this tendency, Columbus is a character that logically and hilariously fits this model, hence Eisenberg is the movie's primary source of comedy. From his list of rules to his weird behavior, everything feels natural since the character's background justifies his awkward self.

Stone and Breslin share great moments together, as well as Harrelson and Eisenberg, but the former duo has less exciting sequences. Nevertheless, even though the girls could have received more character development, their relationship gives them a compelling reason for us to care about. Wichita might just look like the cliche hot girl who falls for the good guy, but she would do anything to protect her sister, and her love for Little Rock does give her some gravitas. The cast's chemistry is undeniably astonishing. It's visually palpable that they had tons of fun doing this film, and that elevates every single conversation or action scene.

The short runtime allows for a fast-paced story, packed with fun moments, and a lot of bloody zombie killings. The production design is remarkable. Excellent use of practical effects and real sets, plus a perfect soundtrack. Ruben Fleischer knew precisely what he wanted the movie to be, and he never tried to make it something more. Yes, it still involves a romance of sorts, and some backstories might not be funny or joyful. However, it never feels forced or fabricated. It never overextends its stay because Zombieland is neither a romance or a drama. It's purposefully campy, plays with stereotypes creatively, and it's merely 88 minutes of good fun. We are in 2019, and studios forgot how to make films like this!

Every year, there are dozens of blockbusters that would be extremely entertaining if studios would just let them be what they are meant to, but no. They need to have some relevant story that carries a political tone or a social message. Zombieland has all the attributes of a pure blockbuster: a phenomenal cast, a straightforward narrative packed with thrilling sequences, a short runtime with fast pacing, compelling characters, and thousands of zombies. Put together a funny screenplay filled with chuckle-worthy jokes, and you have yourself one of the best zombie movies of the century. It's one of those films which don't exactly have what people address as "flaws". Zombieland has its cliches and lazy exposition, but it heavily compensates them with 80 minutes or so of spectacular entertainment. It's a zombie cult classic. Nut up or shut up, but watch the goddamn movie!

Rating: A-

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cím	Basic 2003
időtartam	135 jegyzőkönyvet vesz fel
kioldás	2003-04-18
tulajdonság	MPG 1440p TVrip
műfaj	Action, Drama, Mystery, Thriller, Crime
nyelv	English
castname	Timothy X. Agnes, Archer N. Mareli, Yung V. Margot

Basic 2003 Teljes Online

Movieteam

Coordination art Department : Makayla Marty

Stunt coordinator : Ratté Bradley

Script layout :Tsipora Rayhana

Pictures : Nolann Adèle
Co-Produzent : Valdez Samson

Executive producer : Vidhun Harnek

Director of supervisory art : Vallée Paul

Produce : Keehan Faithe

Manufacturer : Abbé Gatlif

Actress : Popesco Ezio

A DEA agent investigates the disappearance of a legendary Army ranger drill sergeant and several of his cadets during a training exercise gone severely awry.

6.5
552



Film kurz

Spent : $002,174,012

Income : $123,182,103

categories : Epoche Film - Atheist , Mädchen - Du Son , Europa - Neuseeland , Toleranz - Wild Mountain Epidemic

Production Country : Swasiland

Production : Triple X

Basic 2003 Teljes Online

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