cím	The Warrior's Way 2010
tartam	119 jegyzőkönyvet vesz fel
elengedés	2010-12-02
minőség	Dolby Digital 1080p BDRip
zsáner	Adventure, Fantasy, Action, Western, Thriller
nyelv	English
castname	Oceania Z. Efrain, Soan L. Marcey, Jahid A. Denis

The Warrior's Way 2010 Teljes Online

Movieteam

Coordination art Department : Naly Yassin

Stunt coordinator : Shabir Qusay

Script layout :Roland Liham

Pictures : Corban Iwinosa
Co-Produzent : Corbett Agace

Executive producer : Erica Trudeau

Director of supervisory art : García Majel

Produce : Meave Kassir

Manufacturer : Ailan Mannat

Actress : Gaulin Florus

An Asian assassin (Dong-gun Jang) is forced to hide in a small town in the American Badlands. Also starring Kate Bosworth, Danny Huston, Tony Cox and Academy Award winner Geoffrey Rush.

6.2
233



Film kurz

Spent : $940,977,821

Income : $791,717,127

Group : ParParties - Gefangenendrama , Dialog - Poetry , Philosophie - Speech , Marketing - Großartig

Production Country : Nigeria

Production : Stretch Films

The Warrior's Way 2010 Teljes Online

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cím	Life in a Year 2018
időtartam	112 percnyi pontossággal mér
eleresztés	2018-05-01
minőség	FLV 1440p DVDScr
műfaj	Drama, Romance
nyelv	English
castname	Deklan H. Dorene, Assia A. Louanne, Yacqub P. Betul

Life in a Year 2018 Teljes Online

Filmteam

Coordination art Department : Chaunte Andria

Stunt coordinator : Keedie Corra

Script layout :Fois Wanda

Pictures : Murren Ionatan
Co-Produzent : Fayette Chanice

Executive producer : Josue Claire

Director of supervisory art : Moises Chau

Produce : Kaiden Potts

Manufacturer : Delvin Hajrah

Actress : Mignon Faye

A 17 year old finds out that his girlfriend is dying, so he sets out to give her an entire life, in the last year she has left.






Film kurz

Spent : $492,895,785

Revenue : $690,414,942

categories : menschliches Wesen - Identität , Film Animation - Fidelity , Kurzer Rock - Bibliothek , Porträt - Religious

Production Country : Jordanien

Production : Asylum Annex

Life in a Year 2018 Teljes Online

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könyv címe	Begin Again 2013
időtartam	152 stopperel
kikapcsolás	2013-09-07
minőség	M1V 1080p HDTV
zsáner	Comedy, Music, Romance, Drama
nyelv	English
castname	Massias L. Libby, Yaïr U. Agace, Melinda S. Lereau

Begin Again 2013 Teljes Online

Movieteam

Coordination art Department : Skinner Davila

Stunt coordinator : Gilda Ecenaz

Script layout :Bhavi Ashlan

Pictures : Brennen Jessika
Co-Produzent : Iraida Flores

Executive producer : Basil Amel

Director of supervisory art : Comeau Rice

Produce : Izzy Rinor

Manufacturer : Fayth Mervin

Actress : Estrada Maren

A long-lost music producer finds a singer-songwriter right about the moment he has given up all hope on life.

7.2
2293



Film kurz

Spent : $171,534,270

Income : $155,642,013

Group : Quinqui - Guerilla , Erzählung - Einfachheit , Glaube - Raumschiff , Jungs Prähistorisch - Weihnachten

Production Country : Österreich

Production : DTS Entertainment

Begin Again 2013 Teljes Online

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cím	Catwoman 2004
időtartam	125 lejegyez
eleresztés	2004-07-22
minőség	Sonics-DDP 1440p WEBrip
műfaj	Action, Fantasy, Mystery
nyelv	Español, English
castname	Shawna Q. Gavan, Blanch C. Élise, Yamina D. Zariya

Catwoman 2004 Teljes Online

Filmteam

Coordination art Department : Veysset Harper

Stunt coordinator : Léonard Géraud

Script layout :Chesnay Hinkle

Pictures : Émond Phileas
Co-Produzent : Aurelio Hartman

Executive producer : Lark Lacene

Director of supervisory art : Denzil Mammie

Produce : Brossat Briard

Manufacturer : Marcene Chaloux

Actress : Kaylee Bilal

Liquidated after discovering a corporate conspiracy, mild-mannered graphic artist Patience Phillips washes up on an island, where she's resurrected and endowed with the prowess of a cat -- and she's eager to use her new skills ... as a vigilante. Before you can say "cat and mouse," handsome gumshoe Tom Lone is on her tail.

4.4
2027



Film kurz

Spent : $640,593,849

Income : $755,015,907

category : Samurai - Tapferkeit , Wissen - Immortality , Ziel - Bibliothek , Literatur - Geistesgesundheit

Production Country : Algerien

Production : Ceskoslovenská Televize

Catwoman 2004 Teljes Online

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cím	Transit 2018
időtartam	189 lejegyez
mentesítés	2018-04-25
tulajdonság	DAT 1080p BDRip
zsáner	Drama
nyelv	Deutsch, Français
castname	Manoff D. Jérémy, Monique K. Tully, Haika Q. Fecteau

Transit 2018 Teljes Online

Movieteam

Coordination art Department : Forbes Given

Stunt coordinator : Colon Liard

Script layout :Leah Hétu

Pictures : Leny Lively
Co-Produzent : Prisha Chante

Executive producer : Damion Saida

Director of supervisory art : Anders Arkady

Produce : Jasiah Courbet

Manufacturer : Kiyoko Chesnay

Actress : Shahzeb Joyann

In an attempt to flee Nazi-occupied France, Georg assumes the identity of a dead author but soon finds himself stuck in Marseilles, where he falls in love with Maria, a young woman searching for her missing husband.

6.6
72



Film kurz

Spent : $939,192,478

Revenue : $178,224,487

Categorie : Lustig - Potes , Dramatischer Dokumentarfilm - Soundtrack , Trivia - Physiologie , Dialog - Guerilla

Production Country : Zypern

Production : Loki Productions

Transit 2018 Teljes Online

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cím	Lore 2017
időtartam	158 percnyi pontossággal mér
tulajdon-átruházási okirat	2017-06-13
tulajdonság	DAT 720p DVD
zsáner	Thriller
nyelv	English
castname	Ruel E. Donna, Isia V. Ammad, Urbain Y. Malle

Lore 2017 Teljes Online

Movieteam

Coordination art Department : Kirstie Jacob

Stunt coordinator : Lorie Réda

Script layout :Elmo Ezmay

Pictures : Hannah Luken
Co-Produzent : Kamya Césaire

Executive producer : Viardot Allene

Director of supervisory art : Emeric Ekam

Produce : Xifaras Mirko

Manufacturer : Grégory Chere

Actress : Millet Karyn

A woman searches for her missing son in a remote wilderness with the help of her estranged husband and a Native American friend. When an evil creature starts to hunt them, their journey becomes a fight for survival.

4
1



Film kurz

Spent : $158,006,165

Income : $769,300,413

Categorie : Mädchen - Werbung , Heuchelei - Universum , Heuchelei - Exil , Schwören - Propaganda

Production Country : Elfenbeinküste

Production : Bayside Media

Lore 2017 Teljes Online

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könyv címe	Frankie 2019
időtartam	192 feljegyez
mentesítés	2019-08-28
minőség	Dolby Digital 720p WEB-DL
műfaj	Drama
nyelv	Français, Português, English
castname	Keevy A. Joyelle, Sidonia T. Harison, Lyons E. Bell

Frankie 2019 Teljes Online

Filmteam

Coordination art Department : Jacquet Lecourt

Stunt coordinator : Jahid Isaiah

Script layout :Elian Dastous

Pictures : Hammer Kendal
Co-Produzent : Damiane Malachi

Executive producer : Amara Lakota

Director of supervisory art : Rogers Hugues

Produce : Sylvie Elly

Manufacturer : Shana Lujain

Actress : Brayan Baur

About three generations of a family grappling with a life-changing experience during one day of a vacation in the historic town of Sintra, Portugal.

4.9
10



Film kurz

Spent : $966,385,053

Income : $893,054,977

categories : Blaxploitation - Hilarious , Wirtschaft - Tyranny , Patriotismus - Neuseeland , Experimentell - dumm

Production Country : Mauritius

Production : Intel Films

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könyv címe	Godzilla: King of the Monsters 2019
időtartam	154 feljegyez
forgalomba hozatal	2019-05-29
minőség	AAF 1440p HDTS
műfaj	Science Fiction, Action
nyelv	普通话, English, 日本語
castname	Jagjit H. Pons, Jennah T. Castor, Sven E. Péju

Godzilla: King of the Monsters 2019 Teljes Online

Filmteam

Coordination art Department : Isia Eiffel

Stunt coordinator : Steele Imène

Script layout :Élémir Lawanda

Pictures : Gwen Luciana
Co-Produzent : Joanne Yousha

Executive producer : Janey Mickael

Director of supervisory art : Oury Cotuand

Produce : Nixon Adilene

Manufacturer : Larissa Lanoie

Actress : Reid Serhan

Follows the heroic efforts of the crypto-zoological agency Monarch as its members face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species - thought to be mere myths - rise again, they all vie for supremacy, leaving humanity's very existence hanging in the balance.

6.2
2043



Film kurz

Spent : $685,375,477

Revenue : $718,814,602

Group : Chrestomathie - Unabhängigkeit , Schrecken - Freundschaft , Glaube - Tapferkeit , ParParties - Poetry

Production Country : Kasachstan

Production : DIC Entertainment

Godzilla: King of the Monsters 2019 Teljes Online

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‘Godzilla II: King of the Monsters’ promises to build on the great work already laid out for this franchise, mixing popcorn fun and thrilling craft, but instead it relinquishes all of that to be a predictably dull and plodding bore. It doesn’t even manage to be a fun, brainless monster movie, assuming that a satisfying monster battle is all about being big and loud and doing nothing else. We waited five years for the follow-up to ‘Godzilla’, which only makes this new film even more of a disappointment, and doesn't excuse the badly-written screenplay or the poorly-executed visual effects. With Dougherty handing the reigns over to horror director Adam Wingard for 2020’s ‘Godzilla vs Kong’, here’s hoping the Monsterverse finds its feet again.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-godzilla-2-king-of-the-monsters-the-king-stumbles-in-this-loud-and-blundering-mess
Picking up after the events of the previous film; “Godzilla: King of the Monsters” deals with a world trying to assess what to do with the presence of the giant Titans. The Monarch Corporation wants the creatures studied and has established locales to study the ones they have found currently hibernating. The U.S. Government wants them destroyed as they do not want repeats of the destruction that was previously caused by Godzilla.

Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobbie Brown) have developed a device known as Orca that will allow them to communicate with the creatures using specific sonic frequencies.

After a successful test under duress; the duo are captured by a ruthless Eco Terrorist group who want to use the giant creatures for their own objectives.
This leads to a chase around the world with Monarch attempting to stop them and with Emma’s ex-husband Mark (Kyle Chandler) deeply involved though he is deeply divided as he blames Godzilla for the loss of their son.

When a gigantic creature is freed; Godzilla faces his greatest challenge as there is a race against time to save the world.

While the film has some very impressive visual effects, the film drags as aside from a couple of brief encounters; the audience is required to sit through roughly 90 minutes of plodding story to get to the action which is roughly only the last 15-20 minutes of the film.

The human characters were very disinteresting and many of the international cast looked at times like they were sleepwalking though their lines as they seemed to have a real lack of passion for what they were given to work with.

The human characters were also very annoying and I found myself hoping that they would be taken out by the creatures as I had no connection to them and they did not inspire any sympathy.

While it may possibly appeal to hardcore fans, this was a miss for me as there simply was not enough creature action to counter-balance having to sit through the human characters and plodding plot to get to the good stuff.

2.5 stars out of 5
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As some of you might know, Godzilla: King of the Monsters is one of my Most Anticipated Movies of 2019. Not because I expected it to be a beautifully written, heartfelt story with fully-developed characters who I would immensely care about. I was incredibly excited because it’s freaking Godzilla and from the few images that I had seen, it looked absolutely stunning. I didn’t need an Oscar-worthy screenplay or amazing performances. I just wanted a decent and logical (this last word is important) narrative with reasonable characters, and tons of monsters fighting to the death against each other. So, my expectations were neither complex or as high as some other people might have.

Unfortunately, I left the theater extremely disappointed. I can’t deny the impeccable VFX and the infinite amount of wallpaper-worthy images spread across the entire film. Some scenes are filled with jaw-dropping cinematography, astonishingly gorgeous monsters, and the fights feel so real that the sound design alone takes you to the edge of your seat. However, when the two pillars of any movie (story and characters) are so far away from even remotely working, there are no technically perfect aspects that can save the film from a disaster. I wrote this exact last sentence a few weeks ago regarding Game Of Thrones, and I will stand by it. I’m always the first guy to praise exceptional filmmaking skills, but if I have to choose between a technically seamless movie, and a film with a fantastic story and fully-developed characters, I have no doubts that the latter is the indisputably right choice.

Ultimately, that’s the huge problem here. The screenplay is loaded with some of the laziest exposition scenes I’ve seen in the last few years. Characters continuously have some sort of presentation to explain something in a completely unpredictable conversation randomly. Generally, a movie like this always has some kind of cliche secondary characters who are either a nerdy scientist, a comic-relief guy, a duo of bantering personalities or a military general who always wants to attack something, even though everyone knows it’s not the most intelligent decision. King of the Monsters has all of these types and more! More?! Seriously, Michael Dougherty and Zach Shields overstuff the narrative with so many unnecessary, useless, stereotypical characters who stretch the overall runtime and extend the periods between the massive fights, turning them into minutes of complete boredom.

I yawned during a Godzilla blockbuster. Yawned. How sad is that?! I really enjoyed Gareth Edwards’ 2014’s Godzilla. At the time, the most common complaint was that there wasn’t enough Godzilla in it. Most of the characters were well-written, despite that some could have been more fleshed out. King of the Monsters is (kind of) the other way around: there are dozens of monsters and bone-crushing, titanic fights, but they literally forgot to write a captivating story with compelling characters. In the first installment, even though I also wanted more Godzilla, when he actually shows up, I was so freaking excited! Since I had to wait for the third act to watch the Titans fight, the build-up that was generated and its payoff actually made the time spent with the human characters worthy.

This sequel was doomed from the moment the characters were written. There are a lot of fight sequences, and I wrote above that unnecessary characters extend the periods between these scenes. The dilemma is that those periods need to exist, making the whole thing look like a double-edged sword that the director is trying to avoid. On one hand, you can’t have an action set piece after another action set piece consecutively, otherwise, these will lose impact over time and become monotonous, so you need to spend time with the horribly-written human characters. On the other hand, you can’t have dumb characters with unclear motivations on-screen for long periods, otherwise, the audience will fall asleep of tediousness or get annoyed, so you have to insert a massive fight sequence again, hence making the audience gradually lose interest in those scenes.

King of the Monsters continuously repeats this cycle of going from one situation to the other. No one wants to have back-to-back fights because they’ll lose the impactful energy, but no one wants to waste their precious time listening to exposition-heavy PowerPoint presentations from characters no one is going to remember their name. I can’t even remember the main characters’ names, and I watched the movie yesterday! I can’t blame the cast, everyone gives good performances. Millie Bobby Brown (Madison Russell) continues her path to become one of Hollywood’s biggest stars (in less than 10 years, she’ll have an Oscar in her hands, I guarantee you that). Kyle Chandler (Mark Russell) does more than what was expected of him with such a lousy script, and Ken Watanabe (Dr. Ishiro Serizawa) is the only one who delivered a solid performance AND had a suitable character (fruit of the previous film). Vera Farmiga (Dr. Emma Russell) is connected to the worst character of the movie (atrociously irrational decisions made by Emma), and everyone else is pretty much one of the vast cliche secondary characters.

They had five years to write a straightforward narrative with simple characters. No fan neither wanted or needed a brilliant, groundbreaking screenplay. Dougherty and Shields delivered one of the worst scripts of the year, one filled with exposition, cliche characters, and a runtime that turned out to be way too long for someone to tolerate all of the dreadful dialogue. I don’t know if it will clearly end up as one of the worst films of 2019, but it’s definitely one of the biggest letdowns. All in all, Godzilla: King of the Monsters didn’t meet my expectations (and mine were pretty fair), not even close. Visually, it’s one of the most striking movies I’ve seen this year, and that can’t be dismissed. From the massive fights with the Titans to the impressive wide shots, Dougherty had a gorgeous diamond that he just needed to polish with a rational and simplistic story, like it was a soft, clean cloth. Instead, he used a hammer…

Rating: C-
It's dumb. Really dumb. And I don't mean "Oh it's a big, noisy action movie and it doesn't engage you very much mentally so that means it's stupid", I'm talking like, the rules contained within just this movie are frequently broken, and a big chunk of the ideas make no sense by the end. Dumb. But I still had a pretty good time with _King of the Monsters_ (kind of a weird title to give Godzilla when the tagline for the sequel is "God VS King", and Godzilla is not the king in that matchup, but I digress). The quality of the CGI varies _drastically_, but when it's good, it's **just** enough to get me over the line to enjoying it to the point I can give the movie a positive review.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**_Very loud, very dumb, and very entertaining_**

>_And four great beasts came up from the sea, diverse one from another. The first was like a lion, and had eagle's wings: I beheld till the wings thereof were plucked, and it was lifted up from the earth, and made stand upon the feet as a man, and a man's heart was given to it. And behold another beast, a second, like to a bear, and it raised up itself on one side, and it had three ribs in the mouth of it between the teeth of it: and they said thus unto it, "Arise, devour much flesh." After this I beheld, and lo another, like a leopard, whic__h had upon the back of it four wings of a fowl; the beast had also four heads; and dominion was given to it. After this I saw in the night visions, and behold a fourth beast, dreadful and terrible, and strong exceedingly; and it had great iron teeth: it devoured and brake in pieces, and stamped the residue with the feet of it: and it was diverse from all the beasts that were before it; and it had ten horns._

- Daniel 7:3-7

>_Behold a great red dragon, having seven heads and ten horns, and seven crowns upon his heads. And his tail drew the third part of the stars of heaven, and did cast them to the earth_ [...] _And I stood upon the sand of the sea, and saw a beast rise up out of the sea_ [...] _And they worshipped the dragon which gave power unto the beast: and they worshipped the beast, saying, "Who is like unto the beast? Who is able to make war with him?"_ [...] _And all that dwell upon the earth shall worship him, whose names are not written in the book of life of the Lamb slain from the foundation of the world._

- Revelation 12:3-13:8

I really enjoyed Gareth Edwards's 2014 _Godzilla_. Sure, there were plot holes through which you could drive an entire fleet of trains carrying nuclear weapons, it featured coincidences that stretched believability even by Hollywood's standards, the human characters were paper-thin, and it took itself very, very seriously. But I enjoyed it. As Edwards had already proved with his debut film, the superb _Monsters_ (2010) and as he would subsequently prove with _Rogue One: A Star Wars Story_ (2016), he has a knack for wedding large-scale CGI grandiosity to stories that feel contemplative and personalised. And I don't care how long this franchise may run, and how many films get churned out, Godzilla's mic-drop moment, when he holds the female MUTO's mouth open and breathes blue fire down its throat will never be topped in its "holy shit"-ness. Ironically enough though, what I admired most about the film is the same thing that a lot of people disliked - the fact that Edwards kept Godzilla's appearances so fleeting; it took over an hour before we first saw him, and then he got only seven minutes total screen time. Personally, I thought it was a masterclass in directorial restraint, and it had the effect that when the big final fight came, it hit home on so many levels because here, finally, we were getting to see the big guy throw down. Remember when Hulk Hogan was the WWF champion for three years running? He didn't wrestle on every show, he didn't even appear on every show. So when Wrestlemania came around, and we knew the Hulkster would be headlining, it meant more than if we'd just seen him the week prior. Same thing with _Godzilla_. However, I understand why some people were unimpressed that a film called _Godzilla_ featured so little, well, Godzilla!

The third film in Legendary Entertainment's "MonsterVerse" franchise, _King of the Monsters_ is a direct sequel to Edwards's film (although sadly, he doesn't return as director), and sets up Adam Wingard's _Godzilla vs. Kong_, which has already wrapped shooting, and is scheduled for release next summer. However, whereas Edwards held Godzilla back and made the action feel smaller by focalising it through the human characters, new director Michael Dougherty (_Trick 'r Treat_; _Krampus_) essentially inverts that formula, putting Godzilla front and centre for pretty much the entire runtime (there are four big fight scenes within the first half-hour alone), and shooting the action in such a way as to make it seem as grandiose as possible. Indeed, he told Collider, "_I would call it the_ Aliens _to Gareth's_ Alien." And although Dougherty isn't half the director that Edwards is, _King of the Monsters_ works pretty well in a braindead summer action movie that's wall-to-wall giant monsters fighting one another kind of way. Sure, there are significant problems (all the best shots are in the trailer, the plot is beyond laughable, the characters are so thinly sketched as to make those in the first film feel Shakespearean, clichés abound, the talented cast is wasted), but all things considered, I enjoyed it, as it accomplished exactly what it set out to accomplish, and you really can't fault a film for succeeding at its primary objective.

Five years since Godzilla defeated the MUTOs, many more creatures (newly dubbed Titans) have been found throughout the world, all in various forms of hibernation. In charge of studying and protecting them is the private company Monarch Sciences (introduced in a fledgeling state in Jordan Vogt-Roberts's _Kong: Skull Island_, which took place in 1973). As the film begins, Monarch employees Dr. Ishirô Serizawa (Ken Watanabe) and Dr. Vivienne Graham (Sally Hawkins), both returning from the previous film, are attempting to convince the Senate that under no circumstances should control of the Titans be turned over to the military, something with which Admiral William Stenz (the great David Strathairn, also returning from the first film) strongly disagrees. Meanwhile, in China, paleobiologist Dr. Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) watch the awakening of the larval form of Mothra. However, when Mothra becomes distressed, Emma is able to calm it using the ORCA, a device which monitors the Titans' bioacoustics and transmits a dominant "alpha signal" capable of placating them. Soon thereafter, eco-terrorist Jonah Alan (Charles Dance) and his private army storm the facility, stealing the ORCA, and kidnapping Emma and Madison. In response, Monarch track down Dr. Mark Russell (Kyle Chandler), Emma's estranged husband, and co-designer of the ORCA, hoping he might be able to help find Jonah. Mark and Emma lost a son in San Francisco during the fight between Godzilla and the MUTOs, and whereas Emma came to feel the Titans could help humanity, Mark became convinced they should all be eradicated. Meanwhile, Jonah heads to the Monarch facility in Antarctica and unleashes the only non-terrestrial Titan, a fearsome three-headed dragon codenamed "Monster Zero", but whom ancient humans knew as King Ghidorah. Arguing that humanity has brought the planet to the point of destruction, Jonah believes that if the Titans are awoken, the ensuing conflict would wipe out most of human civilisation, allowing the planet the time it needs to heal. And so, with Ghidorah awakening the various Titans throughout the world, Godzilla emerges to stand against him.

With production wrapping on _King of the Monsters_ in 2017, and with two release dates scrapped, the film was beginning to accrue some pretty bad buzz. Then that magisterial first trailer dropped, showing Mothra spanning her glorious wings scored with a remix of Claude Debussy's "Clair de Lune" from _Suite bergamasque_ (1890) and promising a film of pensive apocalyptic goings-on. It was the sort of trailer to turn even the biggest naysayer around. The good news is that all the best bits from the trailer are in the film. The bad news is that most of the best bits from the film are in the trailer.

Godzilla was originally created by Tomoyuki Tanaka, Ishirô Honda, and Eiji Tsuburaya, and first seen on screen in 1954's _Gojira_ (released in North America in 1956 as _Godzilla, King of the Monsters!_, a reedited version of the original with additional scenes and new actors). Over the last six decades, he has appeared in all manner of films and TV shows, from action flicks to eco-metaphors to kid's cartoons to comedy to whatever the hell Roland Emmerich's 1998 version was. Conceived in the wake of Hiroshima and Nagasaki, as well as the Daigo Fukuryū Maru incident, Godzilla was intended as a metaphor for the destructive power of nuclear weaponry. Thematically speaking, the highpoint of the "Kaiju" (Japanese for "strange beast") genre thus far is probably Hideaki Anno's _Shin Gojira_ (2016), which was a political satire inspired by the Japanese government's response to the 2011 Tôhoku earthquake and tsunami, and the subsequent Fukushima Daiichi nuclear accident.

_King of the Monsters_ has one eye on its themes too (a dire warning of oncoming eco-disaster, biodiversity, co-existence with other species, military impulsiveness, the insignificance of humanity compared to the vastness of nature), but really, the sermonising, exposition-heavy script by Dougherty and Zach Shields, from a story by Max Borenstein, is so badly put together, with the characters' motivations so poorly delineated, that any thematic concerns dissipate into nothing. Part of this is that the narrative simplifies Godzilla's 'morality'. Traditionally, Godzilla is inherently benevolent. However, in the 2014 version, Edwards muddied this concept brilliantly, depicting a monster that was fairly indifferent to humanity and was far more concerned with the biological drive to reassert his alpha status. In _King of the Monsters_, both Godzilla and Mothra are fundamentally good, and they wish to protect humanity from Ghidorah, which is more binary and not nearly as interesting a position to take.

And yes, the film does address the fact that through inattention and greed, humanity is on the brink of ensuring its own extinction. Jonah, of course, believes that giving the earth back to the Titans is all humanity deserves, and is exactly what the planet needs (it's revealed early in the film that the Titans leave behind biomatter which results in the rapid growth of vegetation). For her part, Emma compares humanity to a virus, and the Titans to a "fever" that could eradicate it. Elsewhere, obviously with one eye on the issue of American isolationism under Trump, as well as the unstable geopolitical situation, Serizawa states, "_sometimes, the only way to heal a wound is to make peace with the demon who caused it_". The problem with all of this is that the script is so ham-fisted and poorly structured, the eco themes so preachy, and the organic integration of those themes into the action so lacking, that they come across as background irrelevancies at best, and distracting moralising at worst. And in any case, the film ultimately undermines all of this in favour of reaffirming the clichéd old notion of human perseverance in the face of adversity.

As we're discussing the script, another problem is repetition. For example, on several occasions, Godzilla is getting his ass handed to him, only to make an 'unexpected' comeback, whilst not one, not two, but three characters sacrifice themselves for the greater good (all at different times), resulting in none of the sacrifices really meaning anything. There are also some hideous clichés. At one point, on their flagship the ARGO, the Monarch people are listening to Godzilla's heartbeat, which is becoming weaker and weaker, and Dr. Rick Stanton (a criminally underused Bradley Whitford) implores, all earnest-like, "_c'mon big guy_." It's supposed to be a moment of great pathos, tapping into the audience's empathy for Godzilla. Instead, at the screening I attended, everyone laughed, so clunky and self-serious was the moment.

Another scene that doesn't work, although in a completely different way, is the death of a major character; it happens so suddenly, amidst so much chaos, with the camera not even focused on them, that in the very next scene, the film has to show us their face on a monitor with the word "Deceased" written underneath. Not exactly the best way to handle a major death. There's also a (predictable) twist based on what could charitably be called ill-defined character motivations. The character of Mark is also peculiarly written. Played by the top-billed Kyle Chandler, he has precious little to do for most of the film other than look at monitors with a concerned expression, coming off more as a fed-up dad than the protagonist of a Kaiju film. There are also far too many scenes of characters standing on the bridge of the ARGO, spouting expositional word-dumps at one another, oftentimes even narrating their motivations. In any case, not a single character in the film comes across as three-dimensional, with not a hint of interiority amongst the lot of them. Additionally, because the scale of the fights is so massive, and the humans so poorly written, Dougherty is unable to make the characters seem even remotely significant. This was another area where Edwards did well, marrying the spectacle with smaller human drama, but Dougherty allows the spectacle to overwhelm everything else.

There are also some hilarious spatial hijinks going on. I get that the ARGO is supposed to be a super-advanced high-tech mobile fortress, but it seems capable of flying from one side of the planet to the other in about ten minutes. From Colorado to China to Bermuda to Antarctica to Mexico to Massachusetts, unless the ARGO is capable of transportation, there's some _Game of Thrones_-level compression of distances going on. Related to this is that Zhang Ziyi plays twins (Dr. Ilene Chen and Dr. Ling Chen), who we never see together. Except I didn't even realise there were two of them until I read a few reviews. Sure, I noticed what I thought was a singular character appear to be in two places at once, but because the ARGO had already been globe-hopping all over the place by that point, I just put it down to the film's lack of geographic realism. The fact that it's so easy to miss that there are twins is spectacularly bad writing, especially considering they're supposed to be a modernised version of the Shobijin, two fairies that speak for Mothra. Also, Aisha Hinds as Colonel Diane Foster, O'Shea Jackson Jr. as Chief Warrant Officer Jackson Barnes, and Thomas Middleditch as Dr. Sam Coleman may as well not be in the film at all, so little are they given to do. The same could be said for most of the Titans. Apart from the central tag-teams of Godzilla and Mothra facing off against Ghidorah and Rodan, most of the rest (including those newly created for the film - Baphomet, Typhon, Abaddon, Bunyip, and Methuselah) are seen only in news reports and a montage that plays behind the closing credits, although a few do turn up for one scene.

But for all that, however, I thoroughly enjoyed _King of the Monsters_. Although the trailer does promise what the film can't deliver, aesthetically, there's a lot to admire. The sound design by Erik Aadahl (_I, Robot_; _The Tree of Life_; _A Quiet Place_) Brandon Jones (_13 Hours_; _The Shallows_), and Tim Walston (_The Incredible Hulk_; _Pacific Rim_; _Chronicle_) is suitably deafening, and the cinematography by Lawrence Sher (_The Hangover_; _War Dogs_; _Joker_) has a well-judged sense of scale, especially in the 2.39:1 3D IMAX format. This is complemented by the editing by Roger Barton (_Gone in 60 Seconds_; _Pearl Harbor_; _The Grey_), Bob Ducsay (_Season of the Witch_; _Looper_; _Rampage_), and Richard Pearson (_The Bourne Supremacy_; _Quantum of Solace_; _Iron Man 2_), who maintain the rhythm of even the most chaotic action scenes. And even though pretty much the entire film takes place at night in the midst of a storm of the Titans' own making, it never becomes difficult to follow or see what's happening.

The film also does some interesting things with colour. Whereas the palette is predominantly mixed when we're with the human characters, the Titans are coded in binary elemental colours: Mothra glows blue as a larva and gold in her final form, Rodan reflects the hardened red of the lava from which he emerges, Godzilla is the green of nature, Ghidorah is a neutralising dark brown. There are also some extraordinary individual shots (most of which have unfortunately been spoiled by the trailer); Mothra spreading her wings for the first time, Ghidorah perched atop an erupting volcano with a crucifix looming in the foreground, the reveal of Godzilla's lair. And the final shot is a goosebumps moment with which no Kaiju fan could possibly be dissatisfied. Purely at the level of craft, this is a hugely impressive film.

_Citizen Kane_ it most certainly isn't, but who expected (or wanted) it to be. The key to really parsing the film is to consider the context, looking at what it was trying to be. And in this sense, it's a success. Sure, the script is hideous, and Dougherty is no Edwards, struggling to accomplish what Edwards seemed to do with ease; bring his own personality to the spectacle. However, if you approach it for what it is, a dumb summer blockbuster about large monsters punching each other, you'll like it just fine.
When I watched the 2014 Godzilla movie I was less than impressed as can be seen from my review here.

When watching this one I felt it was marginally better.

True to the Hollywood standards today, or perhaps lack thereof, the script writers just had to try and squeeze in a lot of green bullshit about how we destroy the planet and something has to be done bla bla bla.

Interesting enough though, the way it was done, actually made the green fanatics the bad guys in the movie. Whether that was intentional or the writers was too stupid to realize it I do not know.

The story is essentially about how one green fanatic in particular releases the “Titans” as they are called in the movie and uses them to wreak havoc, killing millions, to “balance things” and start a new world. That is your typical green fanatic although with a bit more means than usual to implement his deluded fantasies. Of course Godzilla, with the help of a few clear minded humans, comes to the rescue. That’s pretty much it. As I wrote, a typical substandard Hollywood script.

What makes this movie better though is that the implementation is not so shit full of absolutely stupid and unintelligent sequences as the 2014 movie. The implementation is actually not that bad. The action sequences are really quite good and there’s plenty of big ass monsters in this movie.

I also quite liked that cool super-carrier airplane that the Monarch crew flew around in.

As despicable as the previously mentioned green fanatic is, the role was nicely implemented as well as the main protagonist and most people around him.

The part about kick-starting Godzilla after he was wounded by detonating a nuke in front of his nose was a bit silly though. So was the hole it’s to hot and radioactive for drones as well as for a nuclear submarine so let’s send in a guy on foot. Seriously?

Also the after scenes where life magically sprouted everywhere the Titans had wrecked havoc was more than a little stupid.

If this hadn’t been a cool giant monster movie with a lot of special effects I would have scored it a lot lower. However, I am a sucker for these kinds of movies and I really like Godzilla. I even watched some of the old black and white movies when I was a kid.

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cím	Shutter Island 2010
időtartam	124 jegyzőkönyvet vesz fel
elengedés	2010-02-14
minőség	SDDS 1080p BRRip
műfaj	Drama, Thriller, Mystery
nyelv	English, Deutsch
castname	Myriam C. Castel, Diora B. Mareli, Plum F. Zariya

Shutter Island 2010 Teljes Online

Movieteam

Coordination art Department : Therèse Budet

Stunt coordinator : Mirtha Maren

Script layout :Naïa Fabliha

Pictures : Khawaja Macéo
Co-Produzent : Aniyah Corbeil

Executive producer : Inës Thelma

Director of supervisory art : Hudson Sanha

Produce : Naelle Wissem

Manufacturer : Nashra Lailah

Actress : Yara Manning

World War II soldier-turned-U.S. Marshal Teddy Daniels investigates the disappearance of a patient from a hospital for the criminally insane, but his efforts are compromised by his troubling visions and also by a mysterious doctor.

8.1
14392



Film kurz

Spent : $260,578,440

Revenue : $735,622,608

categories : Hochzeit - Poesie , Zynisch - Unabhängigkeit , Wandern - Abenteuer , Zoologie - Freiheit

Production Country : Laos

Production : Medienbüro Süd

Shutter Island 2010 Teljes Online

"

Nice movie
This was a random thing. We didn't even know the schedule and I was just wearing a random shirt and shorts. I just wanted to drink mango shake but then we randomly decided to go to eastwood and check the schedule. We were supposed to watch Diary of a Wimpy Kid but since Shutter Island's showing, then Shutter Island it is. But then wearing my "pambahay" outfit didn't really help since I saw 2 people from AC. grrrrrr. When I dress up, I don't see anyone I know but when I'm not properly dressed and I look like a mess, suddenly all these people come up to me and say hi. Note to self: always dress up.

I liked it. Watching Leonardo is not bad at all. I liked the twist of the story. Although you'll have some hints here and there, you'll think "oh I'll wait and see what it really is". And then the twist happens and you'll be like "I knew that all along". But that doesn't stop me from liking this movie. I'm so jealous of the girl playing his daughter. I mean first kiss...Leonardo Di Caprio???? Wow. I would take her place anytime. Michelle Williams...I'm not really a big fan of her. And after seeing this and being jealous also of her because of how she sat on the lap of Leo, I can say I don't like her at all. lol. Leonardo is awesome as always. It's amazing how good of an actor he is and he still hasn't won any Oscars. His time will come. I know he will win. And that flashback scene, he looked really good. Yum Yum Yum!


I rate this movie as A. Love the story. Love the actor.
Mind-tripping psychological-thriller from Martin Scorsese, a bit of a change-up for him, with great performances all around of course including DiCaprio and Kingsley. This was my first viewing as I had procrastinated watching this for whatever reason, but found it highly entertaining with amazing, foreboding atmosphere. **4.5/5**

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könyv címe	Jeepers Creepers 2 2003
tartam	184 stopperel
mentesítés	2003-08-08
minőség	MP4 720p DVDScr
zsáner	Horror, Thriller
nyelv	English, Español
castname	Demmie I. Stout, Bayrou R. Alwin, Tahirah O. Swayam

Jeepers Creepers 2 2003 Teljes Online

Movieteam

Coordination art Department : Spiros Jonas

Stunt coordinator : Mahoney Shanika

Script layout :Ferrat Laraine

Pictures : Mahfooz Tardif
Co-Produzent : Levinas Ibtisam

Executive producer : Adrien Melodee

Director of supervisory art : Nebi Tyméo

Produce : Louis Rinor

Manufacturer : Burguet Khamari

Actress : Patano Tamica

After 23 horrifying days of gorging on human flesh, an ancient creature known as the Creeper embarks on a final voracious feeding frenzy, terrorizing a group of varsity basketball players, cheerleaders and coaches stranded on a remote highway when their bus breaks down. The terrified group is forced to come together and do battle against the winged creature hell-bent on completing its grizzly ritual.

5.7
765



Film kurz

Spent : $820,125,307

Revenue : $944,591,711

categories : Scary - Chor , Völkermord - Terrorismus , Hingabe - Stumm , Kosmisch - Identität

Production Country : Guinea-Bissau

Production : Endemol Shine

Jeepers Creepers 2 2003 Teljes Online

"

I loved the way this & the original were both the same " feeding".The end was great as the old man waited with his harpoon/pole puncher in his rocking chair.Waiting for his next awakening.
The car scene & his smile made him a great like Jason or Freddie.The new one is a great idea.23 yr.s for 23 days he feasts.It's about time!!!
We are trapped in a broken down school bus out on East 9. And something is going to kill us if we don't get help out here right away!

Plot finds the demon known as The Creeper (Jonathan Breck), still having a little time left for feeding and harvesting human parts before his 23 year hibernation. A buffet bar of high school kids on a bus returning from a basketball match are now in his sights. But an avenging father played by Ray Wise is willing to take the fight to the monster.

It's a simple as it sounds, really. Creeper picks off various members of the bus, which is the usual array of annoyingly obnoxious teenagers. The tension comes from wondering who is next in line, all while the fractured group (racial/sexuality tensions) try to come up with some sort of plan to survive until help arrives. Logically it's a laughable nightmare and goofs aplenty are within, but there's a neat gory "B" movie vibe about it driving it forward. Plus there's more of Creeper in flying mode and a bad ass Ray Wise to root for.

After the success of the first Jeepers Creepers film it was inevitable that a sequel would follow. With a little sadness we find that this sequel fails to capture the strengths that made the first film a refreshing horror joltathon. But regardless it still has some merits for a fun horror time waster. 6/10
A most prime example of how to refute the “bigger is better” adage. Not because it’s smaller and better, but because it’s bigger and shithouse.

_Final rating: ★½: - Boring/disappointing. Avoid if possible._
***On its final day, the Creeper attacks a school bus full of basketball personnel***

A basketball team and a few cheerleaders are returning home from a game 30 miles south of Bakersfield, California, when their bus is sabotaged in the countryside by some… thing… with wings.

"Jeepers Creepers 2" (2003) is the best of the trilogy with the highlight being the creative and creepy monster, called the Creeper, which is reminiscent of the chief gargoyle in “Gargoyles” (1972), but more demonic and wholly evil. This is basically a confined location horror flick with the setting being the remote golden fields of Southern Cal (and the school bus).

The first film (2001) was hindered by its limited cast while this one tries to make up for it with a whole busload of kids and three school employees (two coaches and a bus driver). But the film generally drops the ball in the female department and, worse, focuses a little too much on shirtless jocks, which can be explained by the writer/director’s orientation (get real). There’s also zero depth; this is a movie about an evil winged creature that attacks a busload of youths and little else. But it’s very well done for what it is.

The film runs 1 hour, 44 minutes and was shot in Southern Cal (Tejon Ranch and Long Beach).

GRADE: B-

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